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Join Fr. Fessio, Joseph Pearce, and Vivian Dudro for a discussion every Wednesday at 1pm CST. To view the weekly discussions, subscribe to our YouTube channel and tune in on Wednesdays! You can also subscribe to our Podcast to hear each week’s discussion that way.

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Fr. Joseph Fessio, Founder and Editor, Ignatius Press

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Joseph Pearce, Author and Series Editor of the Ignatius Critical Edition

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Vivian Dudro, Senior Editor, Ignatius Press

 
 
 

 

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The Confessions

The Confessions of Saint Augustine is considered one of the greatest Christian classics of all time. It is an extended poetic, passionate, intimate prayer that Augustine wrote as an autobiography sometime after his conversion, to confess his sins and proclaim God’s goodness. Just as his first hearers were captivated by his powerful conversion story, so also have many millions been over the following sixteen centuries. His experience of God speaks to us across time with little need of transpositions.

This acclaimed new translation by Sister Maria Boulding, O.S.B., masterfully captures his experience, and is written in an elegant and flowing style. Her beautiful contemporary translation of the ancient Confessions makes the classic work more accessible to modern readers. Her translation combines the linguistic accuracy demanded by 4th-century Latin with the poetic power aimed at by Augustine, not as discernable in previous translations.

 

 

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The Everlasting Man

Considered by many to be Chesterton’s greatest masterpiece of all his writings, this is his whole view of world history as informed by the Incarnation. Beginning with the origin of man and the various religious attitudes throughout history, Chesterton shows how the fulfillment of all of man's desires takes place in the person of Christ and in Christ's Church.

Chesterton propounds the thesis that “those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact.” And with all the brilliance and devastating irony, so characteristic of his best writing, Chesterton gleefully and tempestuously tears to shreds that "very stale formula" and triumphantly proclaims in vivid language the glory and unanswerable logic of that very striking fact. Here is the genius of Chesterton at its delightful best.